======================== unified (from filesystem) ========================
                                         'bitrate'  '128.0'
                                        'duration'  '167'
                                          'artist'  'Henry Hall'
                                     'text_people'  ''
                                         'release'  'Henry Hall (& his BBC Dance Orch) '
                                           'title'  'Anything goes'
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 "'q-drums-1', 'q-other-4', 'q-piano-1', 'q-vocals-3', 'q-mixbeat-1']")
                                      'lastfmtags'  "['soundtrack', 'jazz', '30s', 'british', 'classic']"
                                     'discogstags'  "['pop']"
                             'musicbrainz_albumid'  ''
                       'musicbrainz_albumartistid'  ''
                            'musicbrainz_artistid'  ''
                             'musicbrainz_trackid'  ''
                                     'tracknumber'  ''
                                      'tracktotal'  ''
                                            'date'  '1935'
                                        'comments'  ''
                                           'genre'  'prerock-unsorted'
                                             'bpm'  '96.118'
                                             'key'  '8A'
                                        'acoustid'  ''
rest: ''

======================== rawer (from filesystem) ========================

'APIC:'                                             type PictureType.COVER_FRONT (Cover (front)) b''
                                     
'COMM::eng'                                         ('Henry Hall (& his BBC Dance Orch) \r\n'
 'b. London, 2 May, 1898, d. Eastbourne, 28 October, 1989 \r\n'
 'Theme songs: \r\n'
 'Original: "Come Ye Back To Bonnie Scotland" \r\n'
 'Later: \r\n'
 'In Theme: "It\'s Just The Time For Dancing" \r\n'
 'Out Theme: "Here\'s To The Next Time" \r\n'
 'Overview \r\n'
 "Henry Hall is best remembered for the five year period in the 1930's when he "
 'directed the BBC Dance Orchestra and was the most popular radio star in '
 'Britain receiving the largest fan mail of any broadcasting artist, but that '
 'was only part of a most successful career as bandleader, composer, arranger, '
 'impresario and broadcaster. \r\n'
 "As a youth, Henry worked with the Salvation Army's Musical Services "
 'division. His formal musical studies were at the Guildhall School of Music '
 'and also at Trinity College. After WW1, he worked as a pianist in silent '
 'pictures theaters. \r\n'
 'His first break came in 1922 when he joined the LMS Railway Hotel chain as a '
 'pianist and ten years later he was the Musical Director for the hotels '
 'controlling 32 bands. In the middle of 1924 he formed a band for the new '
 'ultra-grand Gleneagles Hotel in Perthshire, Scotland, and broadcast for the '
 'first time from the opening night ball. Henry made a few records for '
 'Columbia over the next two years but no real impact was made outside the '
 'hotels until Thursday 31 July 1930 when he made his first late night '
 "broadcast from Gleneagles. (Note: From the late 1920's until 1936 the BBC "
 'would broadcast live dance music between 10.30pm and midnight, six nights a '
 'week.) From then onwards Henry Hall and his Gleneagles Band was broadcasting '
 'practically every week. When the Gleneagles Hotel closed during the winter '
 'months, Henry would transfer to either the Adelphi Hotel in Liverpool or the '
 'Midland Hotel in Manchester, and in this latter venue the band started '
 "recording for Decca in March 1931. Henry's first record hit was his "
 'arrangement MUSICAL COMEDY SWITCH (Decca) and on one of those first Decca '
 'sessions the innovative British jazzman Spike Hughes deputised on string '
 "bass and probably Henry's jazziest record I LOST MY GIRL FROM MEMPHIS (Decca "
 'F.2330) was the result. The Gleneagles Band broadcasts attracted a lot '
 'comment as the band was small for a regular broadcasting unit - about six '
 'musicians - which could hold an unseen audience for 90 minutes without a '
 'vocalist. Their signature tune was COME YE BACK TO BONNIE SCOTLAND. \r\n'
 'The BBC were impressed and when their resident dance bandleader, Jack Payne, '
 'decided to leave to go on tour, Henry was invited to form a new BBC Dance '
 'Orchestra. Many in the London musical profession were shocked that a leader '
 'from "the provinces" had been given the prestigious job and music critics '
 'were scathing about the new band but Henry soon won the hearts of the '
 'British public with his fine music and quiet but engaging personality. Their '
 'first broadcast was on March 15th 1932 and was also notable for being the '
 'first transmission from Broadcasting House, London. Henry introduced his two '
 "new signature tunes, opening with IT'S JUST THE TIME FOR DANCING and closing "
 "with the still warmly remembered HERE'S TO THE NEXT TIME. For the next five "
 'years the Orchestra was heard most week days with regular daily broadcasts '
 'at 5.15pm, every Thursday on the late night spot, later alternating Saturday '
 'nights with the Ambrose Orchestra. With the BBC post came a new recording '
 'contract with Columbia and the band had an enormous hit in its first year '
 'with TEDDY BEARS PICNIC (Col.DB.955/FB.2816) which went on to sell a '
 'million. Henry realised that a lot of youngsters would be listening to his '
 'afternoon programmes and he introduced a lot of numbers like TEDDY BEARS '
 'PICNIC to appeal to them. There was something for all the family. \r\n'
 'Jack Payne had established a hot rhythm style as leader of the BBC Dance '
 'Orchestra, but Henry decided that a radically different approach was needed '
 'to identify his band. Less emphasis on brass and more on melody (the new '
 "1932 BBC band even sported a cello)!!. Henry's many vocalists included Val "
 'Rosing, Les Allen, Kitty Masters, Phyllis Robins, Dan Donovan, Leslie '
 'Douglas, Bob Mallin and George Elrick. The band increased size over the '
 'years until in March 1936 there were 27 instrumentalists and vocalists. '
 'American Benny Carter was added to the impressive list of arrangers which '
 "included the band's pianist Bert Read, Ronnie Munro, Phil Cardew and Burton "
 'Gillis, the saxophonist who joined Henry in 1929 and stayed until the war. '
 "Although few of Carter's scores were recorded, his work can be heard to "
 "great effect on I'M PUTTING ALL MY EGGS IN ONE BASKET (Col.FB 1364), "
 'BYE,BYE,BABY (Col.FB 1547) and ONE,TWO, BUTTON YOUR SHOE (Col.FB 1627). The '
 'BBC Band was at its glorious best between 1935 and 1937 when the band had a '
 'big sound. Surviving broadcast recordings show that the band would tackle '
 "such material as STOMPIN' AT THE SAVOY while its Columbia records "
 'concentrated on the popular songs of the day. \r\n'
 'In 1934 Henry introduced a new presentation with his "Guest Nights" which '
 "was to continue into the 1950's, long after he disbanded. The 'Henry Hall "
 "Orchestra' appeared in the 1935 film 'Music Hath Charms' which starred famed "
 "American songstress 'Hildegarde'. Over the years many of the great American "
 'songwriters like Irving Berlin , Harry Revel and Mack Gordon, appeared with '
 'the band on air. On August 4th 1936 a half-hour programme featured the music '
 "of Johnny Mercer with Mercer himself singing I'M BUILDING UP TO AN AWFUL "
 "LETDOWN, GOODY GOODY and I'M AN OLD COWHAND. This complete programme is "
 'available on CD - "Henry Hall\'s Hour" Radiogram RGM 001- a real treasure. '
 'Henry made several trips to the States to learn about developments in dance '
 'music and he directed the music on the maiden voyage of the liner RMS Queen '
 'Mary in May 1936. However, Henry was a well-known supporter of British '
 "songwriters and he himself had considerable success with his own IT'S TIME "
 'TO SAY GOODNIGHT. \r\n'
 'On 25 September 1937, The BBC Dance Orchestra directed by Henry Hall made '
 'its farewell broadcast and was back on air on September 30th as Henry Hall '
 'and his Dance Orchestra. The band went on tour to an enormous reception. '
 "Apart from the Orchestra's starring role in their film MUSIC HATH CHARMS in "
 '1935, and a few appearances at the London Palladium amongst others, most '
 "people hadn't actually seen the band perform. When Henry and the boys "
 'arrived at the Central Station in Glasgow the police were called out to '
 'control the enthusiastic crowds. Over the next two years the Orchestra '
 'toured Britain and Europe and continued to record on Columbia. In 1938, the '
 'band visited Germany and played the National-Scala Theater in Berlin. \r\n'
 'The band kept going during the war and for some years after until Henry '
 'diversified his activities and became a successful businessman. \r\n'
 '(These notes on Henry Hall were kindly supplied by Mr Peter Wallace.) \r\n'
 '\r\n')
'COMM:ID3v1 Comment:XXX'                            'Henry Hall (& his BBC Dance Or'
'TALB' (Album/Movie/Show title)                     'Henry Hall (& his BBC Dance Orch) '
'TBPM' (BPM (beats per minute))                     '96.118'
'TCON' (Content type, a.k.a. Genre)                 'prerock-unsorted'
'TDRC' (Recording time)                             '1935'
'TIT2' (Title/songname/content description)         'Anything goes'
'TKEY' (Initial key)                                '8A'
'TLEN' (Length)                                     '167784'
'TPE1' (Lead performer(s)/Soloist(s))               'Henry Hall'
'TXXX:Q-HHRNBTT'                                    '1'
'TXXX:Q-JZFKS'                                      '2'
'TXXX:Q-LOCALNESS'                                  '1'
'TXXX:Q-OLDST'                                      '1'
'TXXX:Q-UNU'                                        '1'
'TXXX:discogstags'                                  'pop'
'TXXX:lastfmtags'                                   ['soundtrack', 'jazz', '30s', 'british', 'classic']
'TXXX:q-bass'                                       '1'
'TXXX:q-busy'                                       '2'
'TXXX:q-chart'                                      '2'
'TXXX:q-drums'                                      '1'
'TXXX:q-grit'                                       '1'
'TXXX:q-mixbeat'                                    '1'
'TXXX:q-other'                                      '4'
'TXXX:q-piano'                                      '1'
'TXXX:q-play'                                       '2'
'TXXX:q-syn'                                        '1'
'TXXX:q-vocals'                                     '3'
'TXXX:replaygain_track_gain'                        '+1.82 dB'
'TXXX:replaygain_track_peak'                        '0.595352'

========================== row from database ==========================
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                                            'path'  /data/Music/Bulk/00blues-jazz-exotica-oldies-country/00oldiepop/1920s and 1930s popular/Henry Hall_s BBC Dance Orchestra, Dan Donovan - Anything Goes.mp3
                                         'working'  None
                                         'bitrate'  128
                                    'duration_sec'  167
                                           'genre'  prerock-unsorted
                                        'filesize'  2702104
                                           'mtime'  1620385429
                                   'redo_metaread'  0
                                        'rest_str'   00blues jazz exotica oldies country 00oldiepop 1920s and 1930s popular Hall_s Orchestra, Donovan Goes prerock unsorted
                                      'tag_artist'  Henry Hall
                                     'tag_release'  Henry Hall (& his BBC Dance Orch) 
                                       'tag_title'  Anything goes
                                             'bpm'  96.118
                                    'search_title'  'anything':1 'goes':2
                                   'search_artist'  'hall':2 'henry':1
                                  'search_release'  'bbc':4 'dance':5 'hall':2 'henry':1 'his':3 'orch':6,7
                                     'search_rest'  '00oldiepop':5 '1920s':6 '1930s':8 'and':7 'country':4 'donovan':14 'exotica':2 'goes':15 'hall':10 'jazz':1 'oldies':3 'orchestra':12,13 'popular':9 'prerock':16 's':11 'unsorted':17
                                    'search_combo'  '00oldiepop':16 '1920s':17 '1930s':19 'and':18 'anything':1A 'bbc':8C 'country':15 'dance':9C 'donovan':25 'exotica':13 'goes':2A,26 'hall':4B,6C,21 'henry':3B,5C 'his':7C 'jazz':12 'oldies':14 'orch':10C,11C 'orchestra':23,24 'popular':20 'prerock':27 's':22 'unsorted':28
                                    'tag_tracknum'  None
                                      'num_images'  1
                                             'key'  8A
                                           'quals'  ['Q-HHRNBTT-1', 'q-vocals-3', 'Q-LOCALNESS-1', 'q-piano-1', 'q-mixbeat-1', 'q-play-2', 'Q-OLDST-1', 'Q-UNU-1', 'Q-JZFKS-2', 'q-busy-2', 'q-drums-1', 'q-syn-1', 'q-chart-2', 'q-other-4', 'q-bass-1', 'q-grit-1']
                                      'lastfmtags'  ['soundtrack', 'jazz', '30s', 'british', 'classic']
                                        'tag_date'  1935
                                     'discogstags'  ['pop']

============================== file details ==============================
                                           'mtime'  1620385429.1101303  (2021-05-07 13:03:49)
                             'size'  2702104