======================== unified (from filesystem) ========================
                                         'bitrate'  '80.0'
                                        'duration'  '205'
                                          'artist'  'Spike Jones & His City Slickers'
                                     'text_people'  ''
                                         'release'  ''
                                           'title'  'Rudolph the Red-Nosed Reindeer'
                                           'quals'  ("['Q-HAP-2', 'Q-JZFKS-1', 'Q-LOCALNESS-1', 'Q-UNU-1', 'Q-HHRNBTT-1', "
 "'Q-OLDST-1', 'q-syn-1', 'q-bass-1', 'q-busy-3', 'q-grit-2', 'q-play-2', "
 "'q-chart-1', 'q-drums-1', 'q-other-2', 'q-piano-1', 'q-vocals-4', "
 "'q-mixbeat-1']")
                                      'lastfmtags'  "['40s', 'jazz', 'comedy', 'spike jones', 'los angeles']"
                             'musicbrainz_albumid'  ''
                       'musicbrainz_albumartistid'  ''
                            'musicbrainz_artistid'  ''
                             'musicbrainz_trackid'  ''
                                     'tracknumber'  ''
                                      'tracktotal'  ''
                                            'date'  '1951'
                                        'comments'  ''
                                           'genre'  'prerock-unsorted;set-th-christmas'
                                             'bpm'  '117.877'
                                             'key'  '10A'
                                        'acoustid'  ''
rest: ''

======================== rawer (from filesystem) ========================

'COMM::eng'                                         ['Debuted 1951 and peaked at # on Various Charts. Source: Pop Hits. \r\n',
 'Debuted 1951 and peaked at # on Various Charts. Label/Number: RCA Victor '
 "47-4315. Best Selling Children's\r\n"]
'COMM:ID3v1 Comment:XXX'                            'Debuted 1951 and peaked at #'
'COMM:MusicMatch_Bio:eng'                           ('by Cub Koda \r\n'
 'My father saw them at the Michigan Theater in Detroit back in 1943. "They '
 'were crazy, he started off the show with his regular big band, you know, '
 'just playing straight stuff. Then, after intermission, the stage went black '
 'and all these sirens and gun shots started going off. Then the stage lit up '
 'and it was Spike Jones and his City Slickers, the same band only dressed up '
 'crazy. They had a guy playing a toilet seat with strings on it, people on '
 'stage wearing wigs and crazy outfits, oh geez, they were nuts. Nobody was '
 'doing anything like that back in those days."\r\n'
 '\r\n'
 "I remember seeing them on television back in the early '50s, on my "
 'grandmother\'s 8" round screen Zenith. The noise and visual mayhem spilling '
 'out of that dinky speaker and tiny screen seemed barely containable as I sat '
 'on the floor, absolutely mesmerized. Guns being fired, bicycle horns honking '
 'like crazy, midgets and people with no heads running all over the place, '
 'while the bandleader nonchalantly chewed gum seemingly quite content with '
 'all this dementia going on around him. They were the loudest band I had ever '
 'heard up to that time, and they were playing in such a fast and reckless '
 'manner, I could barely keep up with what they were doing. I had always been '
 'fascinated by music and show business, but this was a different ballgame '
 'altogether. This was my introduction to a world of insanity and noise in the '
 'name of entertainment and when rock & roll came along a few years later, it '
 "made perfect sense to me. But even Presley's gyrations and Little Richard's "
 'screams seemed like pretty tame stuff compared to these kind of monkey '
 'shines. \r\n'
 '\r\n'
 'Lindley Armstrong Jones was a musical genius. In the wild and woolly days '
 'before MTV, digital tape and multi-track recording, Spike Jones put together '
 'a top-flight musical organization that the world has not seen the likes of '
 'since. Known as the City Slickers, the emphasis was on comedy, primarily '
 'doing dead-on satires of popular songs on the hit parade and taking the air '
 'out of pompous classical selections as well. Not merely content to do '
 'cornball renderings of standard material or trite novelty tunes for comedic '
 "effect, Jones' musical vision encompassed utilizing whistles, bells, "
 'gargling, broken glass, and gunshots perfectly timed and wedded to the most '
 'musical and unmusical of source points. His stage show was no less mind '
 'boggling, needing a full railroad car just to carry the props alone, all '
 'presented without electronic gimmickry of any kind, with visuals that would '
 'make your eyes pop out of your head. Though he often downplayed his musical '
 'achievements (all part of the master plan of selling the idea to the general '
 'public), the fact remains that Spike was a strict bandleader and taskmaker, '
 'making sure his musicians were precision tight, adept in a variety of '
 'musical styles from dixieland to classical, with a caliber of musicianship '
 'several notches higher than most big bands of the day who played so-called '
 "'straight' music. \r\n"
 '\r\n'
 'In other words, Spike was no dummy, he knew what he was doing when he put '
 'the whole concept together, checkerboard suits and all. It gave him top 10 '
 'hits on phonograph records (it became a badge of honor with pop musicians '
 "that you really hadn't tasted true success until Spike Jones & The City "
 'Slickers destroyed your song) and proved immensely popular as a stage show, '
 'in movies, and on television. A definite precursor to the video age, Jones '
 "didn't merely play the songs funny, he illustrated them as well, a total "
 'audio and visual assault to the senses. \r\n'
 '\r\n'
 'Spike (the son of a railroad man, hence the nickname) had started as a jazz '
 'drummer and radio session player working with top-drawer stars like Fred '
 'Astaire and Bing Crosby, among others. One of the more interesting bits of '
 "Spike trivia is that if you listen hard enough, that's him gently working "
 'his wire brushes in the background on Bing\'s "White Christmas." But in '
 'demand as he might have been, musician union restrictions only allowed so '
 'many radio dates to be worked by one drummer. To this end (and to '
 'distinguish himself from the pack), Spike added a full set of tuned '
 'cowbells, guns, whistles, sirens to his already existing drum set, thus '
 'insuring steady work as a both a drummer and small scale sound effects man. '
 'Although these additions made him unique in a field loaded with anonymous '
 'sidemen, Spike had bigger and crazier ideas. After putting together various '
 "after hours small groups that played 'corny just for fun' (including early "
 'recordings with the Penny-Funnies and Cinema-Fritzers bands for the '
 'short-lived Cinematone company), he formed the City Slickers in the early '
 '40s. By 1942, his sixth record under the new band\'s name, "Der Fuehrer\'s '
 'Face," became not only a national hit but a national mania, and Spike\'s '
 "self-named 'musical depreciation revue' was off and running. \r\n"
 '\r\n'
 'The bands assembled over the years under the City Slickers banner would '
 'feature everything from singers, midgets, acrobats, vaudeville comics to '
 'musicians who could just plain blow their brains out, all hand picked by '
 "Spike. From George Rock's braying, high register trumpet and kiddie voices "
 "to Freddie Morgan's incredible, rubber-faced pantomime banjo shenanigans, "
 "from Sir Frederick Gas' insane 'twig' bowing to Billy Barty's Liberace "
 'impressions, here was a band that truly defied description. Musicians who '
 'could play multiple instruments in a wide variety of styles were '
 'commonplace, making the City Slickers the crackerjack unit they were. But '
 'certain members of the troupe (like Gas or Barty) were hired because they '
 'did one thing extremely well, and would proceed to do it on a nightly basis, '
 'key players all. For years, the rumor persisted that Spike had a guy on the '
 'payroll who did nothing but gargle, I swear. Though bands that played '
 "'corny' had been successful before he leapt to national fame (most notably "
 "Freddie Fisher & The Schnickelfritzers and The Hoosier Hot Shots), Spike's "
 'musical vision also encompassed a total assault against the conventions of '
 'general show business pomposity. Whatever the newest fad (current singing '
 'stars, radio, television and movie personalities), if Spike could figure a '
 "way to ridicule it for the 'this-month's-flavor' shallowness of it all, the "
 "City Slicker torch was duly applied. And once you heard Spike's version of "
 'the tune, you could never go back and take any of those idols of the moment '
 'quite as seriously as you might have before. This worldview of show biz '
 "elephant trash lives on today in the music video parodies on TV's In Living "
 'Color, and assorted like-minded skits on Saturday Night Live. Had Spike '
 'survived into the MTV age, true believers are sure he would have had a field '
 'day with Milli Vanilli and the gang on Entertainment Tonight. Although '
 'parodies of pop music continue to proliferate (Weird Al Yankovic is probably '
 "the closest modern day equivalent, although he's closer in style to an Allan "
 "Sherman; he sings funny lyrics to normal songs, he doesn't play them funny), "
 'the simple fact remains that Spike Jones & The City Slickers did it better '
 'than anyone before or since. \r\n'
 ' \r\n')
'TBPM' (BPM (beats per minute))                     '117.877'
'TCON' (Content type, a.k.a. Genre)                 ['prerock-unsorted', 'set-th-christmas']
'TDRC' (Recording time)                             '1951'
'TIT2' (Title/songname/content description)         'Rudolph the Red-Nosed Reindeer'
'TKEY' (Initial key)                                '10A'
'TPE1' (Lead performer(s)/Soloist(s))               'Spike Jones & His City Slickers'
'TXXX:Q-HAP'                                        '2'
'TXXX:Q-HHRNBTT'                                    '1'
'TXXX:Q-JZFKS'                                      '1'
'TXXX:Q-LOCALNESS'                                  '1'
'TXXX:Q-OLDST'                                      '1'
'TXXX:Q-UNU'                                        '1'
'TXXX:lastfmtags'                                   ['40s', 'jazz', 'comedy', 'spike jones', 'los angeles']
'TXXX:q-bass'                                       '1'
'TXXX:q-busy'                                       '3'
'TXXX:q-chart'                                      '1'
'TXXX:q-drums'                                      '1'
'TXXX:q-grit'                                       '2'
'TXXX:q-mixbeat'                                    '1'
'TXXX:q-other'                                      '2'
'TXXX:q-piano'                                      '1'
'TXXX:q-play'                                       '2'
'TXXX:q-syn'                                        '1'
'TXXX:q-vocals'                                     '4'
'TXXX:replaygain_track_gain'                        '+1.33 dB'
'TXXX:replaygain_track_peak'                        '0.529965'
'UFID:'                                             UFID(owner='', data=b'XL\x00 CH1951_010')

========================== row from database ==========================
                                              'id'  1427508
                                            'path'  /data/Music/Bulk/00blues-jazz-exotica-oldies-country/00oldiepop/1951/ch1951_010 - spike jones & his city slickers - rudolph the red-nosed reindeer 80 m (3.25).mp3
                                         'working'  None
                                         'bitrate'  80
                                    'duration_sec'  205
                                           'genre'  prerock-unsorted;set-th-christmas
                                        'filesize'  2062208
                                           'mtime'  1678463056
                                   'redo_metaread'  0
                                        'rest_str'   00blues jazz exotica oldies country 00oldiepop 1951 ch1951_010 spike jones his city slickers rudolph red nosed reindeer 80 m (3.25) prerock unsorted;set christmas
                                      'tag_artist'  Spike Jones & His City Slickers
                                     'tag_release'  None
                                       'tag_title'  Rudolph the Red-Nosed Reindeer
                                             'bpm'  117.877
                                    'search_title'  'nosed':4 'red':3 'rednosed':5 'reindeer':6 'rudolph':1 'the':2
                                   'search_artist'  'city':4 'his':3 'jones':2 'slickers':5 'spike':1
                                  'search_release'  
                                     'search_rest'  '00oldiepop':5 '010':8 '1951':6 '25':21 '3':20 '325':22 '80':18 'ch1951':7 'christmas':28 'city':12 'country':4 'exotica':2 'his':11 'jazz':1 'jones':10 'm':19 'nosed':16 'oldies':3 'prerock':23 'red':15 'reindeer':17 'rudolph':14 'set':25,27 'slickers':13 'spike':9 'unsorted':24,26
                                    'search_combo'  '00oldiepop':16 '010':19 '1951':17 '25':32 '3':31 '325':33 '80':29 'ch1951':18 'christmas':39 'city':10B,23 'country':15 'exotica':13 'his':9B,22 'jazz':12 'jones':8B,21 'm':30 'nosed':4A,27 'oldies':14 'prerock':34 'red':3A,26 'rednosed':5A 'reindeer':6A,28 'rudolph':1A,25 'set':36,38 'slickers':11B,24 'spike':7B,20 'the':2A 'unsorted':35,37
                                    'tag_tracknum'  None
                                      'num_images'  0
                                             'key'  10A
                                           'quals'  ['Q-HAP-2', 'Q-JZFKS-1', 'Q-LOCALNESS-1', 'Q-UNU-1', 'Q-HHRNBTT-1', 'Q-OLDST-1', 'q-syn-1', 'q-bass-1', 'q-busy-3', 'q-grit-2', 'q-play-2', 'q-chart-1', 'q-drums-1', 'q-other-2', 'q-piano-1', 'q-vocals-4', 'q-mixbeat-1']
                                      'lastfmtags'  ['40s', 'jazz', 'comedy', 'spike jones', 'los angeles']
                                        'tag_date'  1951
                                     'discogstags'  []

============================== file details ==============================
                                           'mtime'  1678463056.0294254  (2023-03-10 16:44:16)
                             'size'  2062208